"This is a Mummers’ play I wrote": Part 7 - Compiled Plays and Others
Compiled Mumming PlaysCompiled Mumming plays are collations of two or more traditional play scripts. This may be done with performance in mind, or the compilation may be a purely intellectual exercise. Consequently such plays may or may not actually be performed. The aim usually appears to be to produce an "improved" script. This might simply involve cherry-picking the best bits from the source texts, or the purpose may be to lengthen the script, for instance to accommodate additional cast members. Alternatively, the motivation may be to reconstruct a "more complete" version. This implies that the compiler regards the source texts as incomplete or fragmentary. In general, the individual source lines and speeches tend to be kept in their original form, but there may be deliberate omission of what the compiler regards as objectionable material or "modern corruptions". Some newly composed lines are usually added, typically to bridge the inevitable discontinuities that arise from attempting to merge different texts. Some compilers may also introduce new lines to reflect their interests and views. Examples
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Other Modern CompositionsThere remain a few plays that do not fit into any of the foregoing categories, being more exercises in experimental writing or vanity than plays intended for performance. Indeed, they may not be performable. For instance, at least one play lapses into narrative rather than scripted dialogue, so improvisational acting might be required. With vanity mumming plays, the approach seems to be "I can do [better than] that!", although often this self-assessment is arguable. With experimental writing exercises, the playwrights seem to be exploring what they can do with the mumming play genre. Can they make it non-violent, politically correct, etc.? Can it be made funnier, shorter, etc.? The results can be interesting. Example of Experimental Writing |
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Quoted in its entirety, this play by "RuTemple" (Ruth Temple) is interesting because her implicit aim is to reduce the mumming play to its barest essentials. It therefore reflects her view of the vital ingredients of a mumming play - what is and is not important. Firstly, she focuses on cast and basic plot. The characters are designated by roles rather than names, which probably implies that, in her view, specific names are unimportant. The skeletal plot succeeds in following the traditional hero-combat form - dispute, fight, death, call for a doctor, revival and ending - although there is no introduction. The script, on the other hand, differs in format from traditional plays. There is no verse, although this is probably because of the brevity of the lines. It is difficult to compose verse when there is only one line per speech. There are self-introductions, but neither "In comes I" nor "Here comes I" formulae are used. |